As in MAQBOOL, the director assigns his characters locally suitable names that aurally suggest their Shakespearean archetypes.Īlthough the film dispenses with the trope of “race” that is generally highlighted in stage productions of “Othello” (despite a lingering controversy over the actual “blackness” of Moors-a term somewhat carelessly applied, in Elizabethan times, to people of varied permutations of North African, Arab, and Spanish descent), it substitutes other markers of difference that strongly resonate in everyday life in north India, and are capable of eliciting the powerful sense of alterity that the tale requires. Exemplifying the ability of the occasional big-budget Bombay production to venture into unconventional terrain, it casts major stars in challenging and atypical roles, resulting in uniformly strong performances (and one extraordinary one, by Saif Ali Khan, as the story’s convoluted villain).
Though it enjoyed only modest success in its initial release, it was critically acclaimed (nominated for eighteen Filmfare awards, it ultimately garnered half that number, as well as many other prizes) and stands as a worthy successor to such renowned cinematic Shakespeare adaptations as Akira Kurosawa’s THRONE OF BLOOD (1957) and Bhardwaj’s own MAQBOOL (2003).
all talks of eyes are to make you fool.Producer: Kumar Mangat Screenplay: Vishal Bhardwaj, Robin Bhatt, Abhishek Chaubey Dialogues: Vishal Bhardwaj Music: Vishal Bhardwaj Lyrics: Gulzar Cinematography: Tassaduq HussainĬomposer/director Vishal Bhardwaj’s transposition of the story of “Othello” to the landscape and culture of contemporary eastern Uttar Pradesh (UP) is a triumph of conception, cinematography, and acting. they dont give any voucher.no written evidence. will show dream of greenery and prosperity. Singers from.He is not an ordinary singer to relay on composers.It is asĮyes walk through night.take you to heaven.
Naina thag lenge movie#
Gibson took this guy for his movie Apacalypto's theme song.Hollywood isįull of composers then why they preferred him over 100 countries to choose its very simple, whatever the tune is, ifĪnnie princess is singing this song, she would totally destroy it.Mel you will be in their mystry till dawn.they will make youĬomposers can not do anything with their tune until unless they have a in the sky.they will seed dreams of the sevenĬolours. eyesĭont see good,bad,your,mine.they just sting like snake.
when you will sleep they will make your dreams infertile. while you are awake.they will throw magic fun.we know what we r.ĭont comply to eyes dont listen to eyes. To watch leaving the copy cat what u say.is it "lollywood"? beenĭerived from something.we dont have anything Suits the Indian audiences and which neighbouring country audiences "die" Root to some religion and it seems the emotion,casting,lyrics etc that Mythology and so do Avatara was never derived from some concepts having
Naina thag lenge code#
Yeah it seems Da vinchi code was original idea not derived from indian pl listen whenever you get time and let me know? can be accessed under kayesare in you tube. Rahat has brought in a revolution in rendering songs despite being a qawali singer! I am also inspired with his renditions and sang a few karoake songs. These days the songs are based on actual circumstances and mostly Sufi type without the hero or heroine having to sync their lips for it. Megh malhaar ke sapne dije hariyaali dikhlaaveīin badal barsaaye saawan saawan bin barsaataīin badal barsaaye saawan naina banvra kar dengeĬomments for lyrics of song "Naina Thag Lenge, Naino Ki Mat Maaniyo Re"īeautifully translated, congrats! gone are those days when the pair used to sing romantic numbers. Naina raat ko chalte chalte swarga me le jaave Jagte jaadu phukenge re ninde banjar kar dengeīhala manda dekhe naa paraaya naa saga reīadalo me satrangiya bove bhor talak barsaaveīadalo me satrangiya bove naina banvra kar denge Jagte jaadu phukenge re jagte jagte jaadu Naina thag lenge thag lenge naina thag lenge Naino ki mat maaniyo re naino ki mat suniyo